A woman in a purple shirt and black pants stands with her back to the camera, holding a large art piece resembling a green leaf with intricate vein patterns in front of a window. The art is round and propped up against the window frame. The setting appears to be an art studio or gallery, with colorful floral artworks on display, a wooden ladder, and a mustard-colored tufted chair in the foreground.

Painting

When I'm not designing interfaces, I'm usually covered in paint or trying out craft of the day. Long before UX entered my life, painting and textile work were how I made sense of the world — through texture, color, and the quiet satisfaction of making something with my hands.

Here's a glimpse into two of my biggest series of works — Bachelor’s and Master’s thesis.

Broken pieces of painted and unpainted wood and signage scattered on ground with dirt and sparse grass.

Compatibility

Master's Thesis, 2023-2024

Title: ‘’Saderība’’ (Eng. Compatibility)

Technical specification: Oil, pastels, charcoal, acrylic on 12mm wood plywood; 23 parts

Supervisor: Vija Zariņa, Mg.art., associate professor

The aim of the work: To explore and visually represent the compatibility and relationship between humans and plants from a scientific point of view, using the technique of oil painting on an irregularly shaped wooden base.

The series consists of 23 wooden panels, each seeming to continue into the next — inviting the viewer to search for compatibility between them.

"Painting offers a way to connect things that would never see each other in nature."

A woman and a young woman celebrating a graduation outside a brick building. The young woman holds a bouquet of flowers and a diploma, and they are smiling together.
A vase of yellow flowers on a windowsill with a gray cat peeking in from the right side, looking through a window with sheer curtains.
A woman with short reddish hair wearing a purple shirt and green overalls painting a large, curved, floral artwork featuring yellow, pink, purple, and blue flowers.

"Even though some of the plants I've painted would never exist side by side in reality, in these paintings, they live their own life.’’

Black wire chair with a circular seat and radial backrest in front of a white wall. The wall features colorful abstract leaf and flower patterns cutouts.
Close-up of a person holding a painted circular surface depicting water lilies with yellow, orange, blue, and green colors surrounded by larger lily pads on a darker background.

"With each flower, we feel our own Compatibility — grounded not so much in science as in a string of associations, taste, and need." — Saulcerīte Viese

"I'm struck by how complex, and how strikingly human-like, plant life really is."

A person using a paintbrush to paint a wooden surface with colorful floral patterns, surrounded by finished painted wooden pieces with floral designs.

"What lies behind the symbols and inner sensations that lead our thoughts back to Earth's earliest inhabitants — at a time when artificial intelligence is advancing?"

Empty film

A black-and-white painting depicts a seascape with a rocky shoreline in the foreground and distant mountains in the background, using brushstrokes that create texture and depth.

Bachelor's thesis , ‘‘Tuksie kadri’’ (‘‘Empty film’’)

Pigments, ochre, oil, varnish, wooden panels

4 × 21 × 15.5 × 5.2 cm

1 × 32 × 32 × 5.25 cm

1 × 32 × 26 × 5.25 cm

1 × 63 × 91 × 5.25 cm

1 × 89.5 × 133 × 5 cm

Thesis supervisor: Professor Kristaps Zariņš

This series began in Spain, during a six-month Erasmus+ exchange — after an incorrectly loaded roll of film cost me 36 sentimental, inspirational shots. The empty frames sparked a need to repaint what I remembered but never captured. I kept the analog spirit alive through dry pigments on wood, earth tones, monochrome, charcoal, and varnish — echoing the detached, imperfect glimpse of a film camera. Some paintings focus on precise details; others are just breezes of color and atmosphere, as memory tends to work.

Most pieces trace two months spent exploring Spain's southern coast — from Almería to Portugal, and the mountain road home to Granada. Mornings with sand underfoot, nights of restless waves and endless stars — that rhythm still guides my work today.

An abstract black and blue painting featuring swirling forms and textured patterns.

"The empty frames sparked a strong desire to revive the memory of what had been visually perceived but never captured."

"Hearing the restless dance of waves at night... and gazing up at the endless order of the stars — that has become a guiding thread in my artistic practice today."

Black and white abstract painting. The image has a dark background with swirling patterns and textures.

"We experience life's most beautiful fleeting moments without any photographic record at all, and yet photography still connects one such moment to another."